New Architecture found

The time has come to conclude this blog. Over the past year, as we traveled around the world, blogging became an invaluable creative platform for me. And it was such a pleasure to realize that friends, family and strangers were enjoying my posts.
But now I am on the cusp of some new projects that will require my undivided attention. Over the next few months Johnny and I will be building out our new studio in Culver City, and simultaneously launching the new video design firm,
Be Johnny. In addition to the studio there will be a new website, shows and maybe even a gallery in the future. Whatever we do, you are invited to join us. -Bree

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Farmlab

From Lex Bhagat's lunchtime talk at Farmlab

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Globe Trekker

Today Luc and I went to The Getty to check out the California Video exhibition and decided that we would need to go back when we had more time. AH...the curse of time-based exhibitions. Here is one of our photos from today's trip up Mt.Getty.

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Tonight I turned on TV to watch one of those travel shows that I adore and was surprised that Megan, the host from Globe Trekker was not in Istanbul or Hong Kong because she was right here with me in Los Angeles. She even went up to Signal Hill, for a little So.Cal oil history. Nice job!

As I type this post, a film crew is shooting a cop chase scene outside of my house and there is a spotlight erected in my neighbors' yard. Los Angeles folds in upon itself in amazing ways and it is always beautifully lit.

This Friday

This Friday at noon in Los Angeles, Lex Bhagat will be at FarmLab to discuss "An Atlas of Radical Cartography" Here is a recent review from the blog We Make Money Not Art.

Beginning Friday and running all weekend in Houston is the annual
Media Archeology Festival put on by the Aurora Picture Show. This year's theme is Live & Televised and features multimedia artists who incorporate audio/visual technology with live performance. I have said it before & will say it again, Media Archeology is the coolest thing that happens in Houston!

Musical Tour

Seems I have been a little focused on buildings lately and have neglected to tell you about all the amazing music we have been seeing around Los Angeles.

A few weeks ago our friend Steve escorted us to
NOSAJ THING at The Eco or maybe it was The Echoplex? His Electronica/ Hip Hop has been described as "laser bass" because it sounds alot like those laser sounds from Sci Fi or Star Wars. This kid is gonna blow up- check him out! Another great show was the US premier of Sweden's LITTLE DRAGON presented by KCRW at The Roxy in Hollywood. Beautiful and talented singer Yukimi Nagano was great and it was amazing to see with such clarity the impact KCRW has on the music scene of Los Angeles. Machine Project wrapped up its TablaCentric residency with Robin Sukhadia & I am glad that I caught the free Monday concert with Srinivas Reedy on Sitar and Sameer Gupta on Tabla. Fast forward into the future. We will be doing video for the rockin DJ from UK and now fellow Angelino, ADAM FREELAND & we are really excited to work with him. Come check out the show Friday at Coachella.

At the end of April we are heading back out with the
BAND for the final month of this year-long world tour. I cannot believe it has already been a year. We have been so many places, clocking thousands of miles and frequent flier points. I will miss it when the tour is done, but it will be great to concentrate on the LA studio. If we are coming through your city, drop me a note. We would love to see you.

Building and their documentation

It was an architecturally infused weekend.

Friday night was the
Storefront for Art & Architecture Pop-Up gallery opening. The temporary gallery is located in one of the busiest sections of Hollywood and illuminated by the flashing red lights of a Go-Go Girl club next door. The design of this show is fantastic and Frederic Chaubin's Cosmic Communist Constructions photographs are totally curious and beautiful. I cannot wait to go back to the show when it is not so packed & wish there was a book based on this exhibition.

Saturday night we headed to the other side of Los Angeles to attend the screening of Schindler's Houses, by German filmmaker Heinz Emigholz hosted by the UCLA Film and Television Archives. Rudolph M. Schindler was a Viennese architect, who worked in Los Angeles from the 1920- 1950s and had a significant impact on this city, primarily with his single-family home designs. While he is not my favorite architect, I love the way his houses feel natural and light-filled. His designs fuse the outside with the interior space, resulting in houses that feel like they are floating or built into the trees and hillsides.

The impact R.M. Schindler made on southern California modernism is significant and deep. Schindler came to the United States in 1914 and began working with Frank Lloyd Wright at Taliesin in 1918. In 1922 he & his wife began the construction of their Kings Road home (now the
MAK Center). The construction of his Kings Road home used his "Slab-Tilt" system of prefabricated slabs of natural colored concrete. The architect Richard Neutra and his family were among the Los Angeles vanguard who lived in the guest quarters on this property during the 1920s

The Saturday night screening was part of the city-wide retrospective of Emigholz's films. I enjoyed the opportunity it provided us to peek inside Schindler's houses and we were engaged by some of the sound editing techniques Emigholz employed, but generally speaking it was a slow moving 90-minute film that perhaps had too rigid a structure, for my taste. A few moments of comic relief were provided by three cats unexpectedly caught perching or posing, or when the bright yellow SUV came roaring past, loudly slicing open the neutral calm of Emigholz's still shots.

The Billy WIlder Theater at the Hammer Museum is quite nice, but I was annoyed by the attitude of the organizers and that the screening was disorganized, starting almost 45 minutes late. Being an organizer myself, I am empathetic to the potential difficulties that can arise with public programs: no one comes, too many people come, it rains, it is too hot, the machine breaks, the artist freaks... But in this case, ticket sales were in advance & they knew it would be sold out.

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Venice Beach to Griffith Park

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Hollywood street food

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Sunday Farm Market in Hollywood

I learned to drive in order to read Los Angeles in the original

Reyner Banham, the British architectural critic and historian, keeps coming up. I am currently working on an article about CLUI's recent residency in Houston,TX and read that Banham felt that city was 'like a real life-life version of a Monopoly game', as he saw 1970s Houston as 'simultaneously wide open and impenetrable' and felt the renegade city made "Los Angeles in the Chinatown epoch seem like a socialist economy" because Houston's "property wheels and deals operated with less restrictions than anywhere else in the Anglo Saxon world".
This morning as I was preparing to buy the new book Polar Inertia: The Migrating and Emergent City, once again Reyner Banham came up. In the book summary as he was quoted as describing Los Angeles as a city in which "mobility outweighs monumentality". All this Banham synchronicity is simply a great excuse to post this quirky but seminal video "Reyner Banham Loves Los Angeles". Originally produced as a TV documentary by the BBC after Banham's "Los Angeles: The Architecture of Four Ecologies" was published in 1971, thanks to ArtTorrents and UBUweb it has become a cult favorite, an alternative "LA101".


"I learned to drive in order to read Los Angeles in the original"- Reyner Banham

Johnny Video

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The tour of South America has come to an end. This time out we logged 11 flights in and out of 5 countries to do 8 shows. And as I add up the ticket sales (or venue capacity) for this tour, it is mind blowing to realize that we created a live video show for 73,932 people.

The past 48 hours have been the most extreme of this two weeks on the road. On Thursday we left Bogota, Columbia at 10AM and arrived at the airport in Caracas, Venezuela at 6PM. We then boarded a bus that took us over the mountains and arrived in Valencia, Venezuela at 10PM. On Friday morning we boarded a van at 10AM that took us to the venue and that night had a 9PM show for an amped up audience of 6,000.
Immediately following the show we broke the stage down and loaded the trucks. By 12:30AM we were boarding the bus that would take us back over the mountain to Caracas. We checked into a hotel at 3:30AM, showered and then checked out at 4:15AM to catch the last van ride of the tour to the airport for our 7AM flight home.

Not much deep reflection about the tour is available at this time. Now I am looking forward to unwinding at home while writing an article about Houston for the upcoming "Urban" issue of ArtLies magazine. Later this week we will be doing video for two club shows in LA. Wednesday night's show is with DJs Steve Nalepa (LA) and MattB (Tokyo) who will be rocking the house with their Bass Science collaboration and on Thursday night we will be at Spaceland in Silverlake with the Bay Area band Film School .

Cable Untangling Championships in LA



Xeni from Boing Boing TV visits the first-ever "Cable Untangling Championships" at Machine Project in Los Angeles, where knottiness abounds and speedy-fingered sysadmins own the world. "Cabling" is a new sport founded by Steven Schkolne in which competitors must race to detangle bundles of CAT-5 ethernet cables. (NOTE: This event took place in early February)

Week 1 Los Angeles

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I am slowly morphing from tourist into a Los Angeles resident, as I set out on my daily driving missions armed with print-outs from Google Maps and a GPS backup. I have established some ground rules for these solo missions. The first of which is that I can only travel on surface roads, avoiding all highways. This is generally my rule with city driving, except when I am passing through, which is all I have been doing this year.
However, I already see some geo-relationship problems looming on the horizon. Yesterday I called Johnny while stopped at a red light and asked; “If I am at the intersection of Pico Blvd & Crenshaw, then what neighborhood am I in?" A few Los Angeles friends have offered to loan me their
Thomas’ Guide maps, but I have declined with a “No thanks, I have a GPS”. But I am coming to realize that the GPS is best for getting from point A to Point B but the technology encourages a lack of interest in the spaces between the start and end points and provides no clues to how neighborhoods fit together to create the larger city of Los Angeles.
Yesterday, I followed my GPS over to Venice Blvd in Culver City to visit the
Museum of Jurassic Technology and the new-ish exhibition BIRDFOOT: Where America’s River Dissolves into the Sea at The Center for Land Use Interpretation. I had heard about CLUI's birdfoot project while working with Matthew Coolidge in Houston, and while Matt’s first-hand stories are more colorful, the CLUI slideshow provides a muti-directional overview of this seriously downstream delta region. The delta terminology birdfoot or bird’s foot originates from the bifurcated nature of this unique watery terrain. These narrow lobes of Louisiana land are located between branches of the Mississippi River, as it nears the Gulf of Mexico. This is remote and delicate land that has been hard hit by the recent hurricanes.The CLUI presentation in Culver City reveled a landscape that is dangerously over engineered to accommodate the demands of the petroleum industry.
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photo is from the CLUI exhibition BIRDFOOT & links to their website